Dr. Sarai Koo – aka Dr. Seoul Food – is not only a doctor, professor, author, and any professional title – but also a COMEDIAN! Check out her videos!
Dr Seoul Food believes in order to become a famous comedian, she needs to have a mental issue. She claims she developed depression. How? She got married. She is an advocate for social justice and equity. Given her spunky and eccentric nature, she does not want to fall into the norm of being an Asian female subservient wife who cooks, cleans, does the laundry, etc. for her husband. Nope! Secretly, she wants her husband to clean, organize, cook, etc.
Dr. Seoul Food performs at DC Improv. She shares why she’s known as Dr. Seoul Food.
Author Sarai Koo talks about her book, “Seoul Food” on Halo Halo with Kat Iniba – America’s Top Entertainment & Lifestyle show for Asian Pacific Americans.
Catch it Mondays thru Wednesdays at 4:30pm on KSCI/LA18 in Southern California and 3:00pm on KIKU in Hawaii. Watch us: http://www.youtube.com/halohalotv Email us: halohalo@la18.tv Like us: https://www.facebook.com/halohalowith… Tweet us: https://twitter.com/katiniba
Dr. Sarai Koo hosts the Leadership Coaching Channel. This is her intro video.
Dr. Sarai Koo provides an overview of what emotional intelligence is and an overview of Rueven Bar-On’s model.
From the dried sinews stretched across the shell of a dead tortoise to the concert-grand piano of the present day is a far flight. Yet to this primitive source, it is said, may be traced the evolution of the stringed instrument which reached its culmination in the piano.
The latter has been aptly called “the household orchestra,” and in tracing its origin one must go far back into the annals of the past. If we accept the Bible as history, and it is the greatest of all histories, the stringed instrument is of very ancient date. It is recorded that the ambassadors who came to the court of Saul played upon their nebels, and that David, the sweet singer of Israel, wooed the king from his sadness by singing to his harp. We must go back to the civilization of ancient Egypt, more than five hundred years before that morning nearly two thousand years ago when, it is written, the angelic choir chanted above the historic manger the glorious message, “Peace on earth, good will to men,” and the morning stars sang together.
In the olden times the Greeks laid claim to everything which bespoke culture and progress. The pages of ancient history record no other one thing so persistently as “the glory that was Greece.” And so they tell of the time when —
“Music, heavenly maid, was young,
And yet in ancient Greece she sung!”
It is now generally conceded, however, that it was not in Greece but in ancient Egypt that art, music, and the sciences in general were born. That the Egyptians had stringed instruments is unquestionable. Away back in the year 525 B.C. Cambyses subdued the land. He overthrew the temples in the ruins of which have been found the records of musical instruments dating from the very earliest times. But the priests who guarded the temples were slain, and every vestige of what might have helped to determine the origin of the stringed instrument, out of which, later, the piano was evolved, as well as the names of those who wrought andendeavored to construct instruments which would give forth music, was forever lost.
For lack of written authority, then, one must turn back to tradition for light upon the origin of the piano. Tradition says that Ham, or one of his sons, led the first colony into Egypt. In fact there is a legend that Noah himself once dwelt there and some historians have identified him with the great deity of the Egyptians, Osiris. To Hermes, or Mercury, the secretary of Osiris, is ascribed the invention of the first stringed instrument. The story is that Hermes was walking one day along the banks of the Nile. It was just after one of the great inundations. The Nile had overflowed its banks and the land had been submerged. But now the water had subsided, and as Hermes walked along the shore, his foot struck accidentally against the shell of a dead tortoise. Across the inside of the shell the dried sinews were tightly stretched. Hermes picked it up and touched the sinews with his fingers. He was amazed to hear the sweet tones which the picking of the strings produced. He set to work to make a musical instrument, using the shell of a tortoise for the body and placing strings across it. In substantiation of this legend we find in examining the lyre of the ancient Greeks that almost every one was ornamented with a tortoise. We find also in the records of the Hindus, the Chinese, the Persians, and the Hebrews that these people had stringed musical instruments at a very early date and that the most common among them was the lyre in its various modifications.
A hard fate has condemned human beings to enter this mortal sphere without any natural covering, like that possessed by the lower animals to protect them from the extremes of heat and cold. Had this been otherwise, countless myriads, for untold ages, would have escaped the tyrannical sway of the goddess Fashion, and the French proverb, il faut souffrir pour être belle, need never have been written.
The costume of our progenitors was chiefly remarkable for its extreme simplicity; and, as far as we can gather, no difference in design was made between the sexes. A few leaves entwined by the stalks, the feathers of birds, the bark of trees, or roughly-dressed skins of animals were probably regarded by beaux and belles of the Adamite period as beautiful and appropriate adornments for the body, and were followed by garments made from plaited grass, which was doubtless the origin of weaving, a process which is nothing more than the mechanical plaiting of hair, wool, flax, &c. In many remote districts these primitive fashions still prevail, as, for example, in Madras, where, at an annual religious ceremony, it is customary for the low caste natives to exchange for a short period their usual attire for an apron of leaves. In the Brazilian forests the lecythis, or “shirt tree,” is to be found, from which the people roll off the bark in short lengths, and, after making it pliable in water, cut two slits for the arm-holes and one for the neck, when their dress is complete and ready for use. The North American Indian employs feathers for purposes of the toilet, and many African tribes are noted for their deftly-woven fabrics composed of grass and other vegetable fibres, while furs and skins are essential articles of dress in Northern latitudes. Perhaps the earliest specimen of a modiste’s bill in existence has recently been found on a chalk tablet at Nippur, in Chaldea. The hieroglyphics record ninety-two robes and tunics: fourteen of these were perfumed with myrrh, aloes and cassia. The date of this curious antique cannot be less than two thousand eight hundred years before the Christian era. In ancient times it must be remembered that the principal seats of civilisation were Assyria and Egypt, and upon these countries Western nations depended for many of the luxuries of life. The Jews derived their fine fabrics from the latter place, which was particularly noted for its linen manufactures and for magnificent embroideries, of which the accompanying illustration will give some idea. Medes and Babylonians, of the highest class, partially arrayed themselves in silk, which cost its weight in gold, and about the time of Ezekiel (B.C. 594) it is known to have been used in the dress of the Persians. It is a remarkable circumstance that this animal product was brought to the West manufactured in cloth, which was only half silk; and it is said the plan was devised of unravelling the stuff, which was rewoven into cloth of entire silk. Owing to its high price, the Romans forbade its being used for the entire dress by men, complete robes of silk being reserved for women. It is numbered among the extravagant luxuries of Heliogabalus that he was the first man who wore a silken garment, and the anecdote is well known of the Emperor Aurelian, who refused, on the ground of its extravagant cost, a silk dress which his consort earnestly desired to possess.
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Fictum, deserunt mollit anim laborum astutumque! Ambitioni dedisse scripsisse iudicaretur. Ab illo tempore, ab est sed immemorabili. Praeterea iter est quasdam res quas ex communi. At nos hinc posthac, sitientis piros Afros. Integer legentibus erat a ante historiarum dapibus. Praeterea iter est quasdam res quas ex communi. Nihil hic munitissimus habendi senatus locus, nihil horum? Inmensae subtilitatis, obscuris et malesuada fames. Ullamco laboris nisi ut aliquid ex ea commodi consequat.
Back from his war against the Tahawi comes the Sun, chief of the Lower Saranacs, —back to the Lake of the Clustered Stars, afterward called, by dullards, Tupper’s Lake. Tall and invincible he comes among his people, boasting of his victories, Indian fashion, and stirring the scalps that hang at his breast. “The Eagle screams,” he cries. “He greets the chief, the Blazing Sun. Wayotah has made the Tahawi tremble. They fly from him. Hooh, hooh! He is the chief.” Standing apart with wistful glance stands Oseetah, the Bird. She loves the strong young chief, but she knows that another has his promise, and she dares not hope; yet the chief loves her, and when the feasting is over he follows her footprints to the shore, where he sees her canoe turning the point of an island. He silently pursues and comes upon her as she sits waving and moaning. He tries to embrace her, but she draws apart. He asks her to sing to him; she bids him begone.